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interior courtyard at night, crystal bridges museum
this past weekend rich granted me a reprieve to go to the opening of the
crystal bridges museum of american art in bentonville, arkansas. i'd been excited about this institution since i first heard of it; i was thrilled to actually get tickets and go see it in all its inaugural glory. i have to say: it did not disappoint in the slightest. it was beautifully designed by
moshe safdie with a comprehensive american art collection put together, largely, by
alice walton; it is the louvre of the ozarks. more than 50% of the collection is on view (but almost 100% of the paintings--i asked about this because most museums are only to show about 10% of their total collection). i actually went twice: first on 11/11/11, opening night, to get a general glimpse of everything, then the next day to really spend some concentrated time on the work.
and it was a flippin' joy to actually get to use my ph.d. for something, even if the museum is judd-free...
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entrance and aluminum tree
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this is what you see from street-level, before descending the pathway to the entrance
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rooftop garden sproutlings (this is located on top of the gift shop, which you do not have to walk through to exit the museum)
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interior at night, in the dining area
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hallway between museum offices and "wonder world" exhibition space
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detail, vaulted ceilings--these were made of pressed native arkansas pine and shaped to make ribs spanning the width of the wing
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interior courtyard by daylight
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lunch
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this was tremendous, and definitely one of my favorites: devorah sperber's "after the last supper," 2005. it is made from ball chain (like what you find on a ceiling fan) and 20,736 spools of thread...and a sphere on a viewing stand. amazing.
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another view of "after the last supper"
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detail of the viewing sphere (image is righted by the curvature of the glass)
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detail of christ, made entirely out of spools of thread. loved it long time.
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"rosie the riveter," by norman rockwell. check out the copy of "mein kampf" she's got her foot on.
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lovely little (yes, it is actually small) o'keeffe, "evening star VII"
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josef albers, "homage to the square," 1964. LOVE this. this was about as minimal as the collection got, and it's not technically minimalism, but it's a masterpiece nonetheless.
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intriguing copley portrait, not for the woman portrayed...
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...but for her pet flying squirrel. it's rocky before he (she?) found bullwinkle.
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gilbert stuart's "george washington"--this is one of the paintings east coast critics were complaining about losing to arkansas
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a swath of abstract expressionism by adolf gottlieb